Tag Archives: Mr. Jenson

Plaster of Paris; chapter eight, part one

I have to go back to the gym tomorrow to find out more about the blond, not to mention try to find Billy.  I ask what Lyle found out about Ursula in order not to have to think about returning to the gym.  Mirabelle did a search on Ursula because she loves doing research, and she knows a few people in the biz.  Turn out, Ursula had exaggerated about her financial assets.  She’s worth about ten million, not the twenty-five or whatever she told us.  Also, she just returned from a weeklong five-state tour.  It was a Midwest swing.  Minnesota, Wisconsin, Illinois, Iowa and one of the Dakotas.  Lyle and I both shudder with the insularity of true Californians, not able to imagine why anyone would live in the Midwest.  Lyle resumes his narrative, informing me that Ursula’s latest book has been postponed twice.  Her publisher is furious with her, according to Mirabelle, and is threatening to sue her for breach of contract.

Her situation sounds grim, but far from dire.  I clarify that she has money, that she’s not broke, which she isn’t.  However, she won’t be able to spend money at the rate to which she’s rapidly become accustomed.  Lyle lowers his voice to impart the gossip that Ursula has a lover somewhere, but that’s all that Mirabelle knew.  I am taking notes as he talks because it helps me order my thoughts.  Lyle is moody as he finishes reporting because we have all this information and none of it fits together.  Ignoring his temper tantrum, I tell him that the blond girl is the key.  I am beginning to realize that he doesn’t react well under pressure and that it’s nothing personal.  A huge yawn nearly splits my mouth, making me realize that I sleep.  It’s nine o’clock.

“I think I’ll hang here a few more hours, then go home for the night,” I say to Lyle.  “I suggest you do the same.”

“Can I come over to your place?”  Lyle asks, a puppy-dog look on his face.  “I don’t want to be alone.”  I can understand that, as I am feeling the same way.  I nod, then we both go back to the waiting room.  My mom is awake and chatting with the Jensons.  Mr. Jenson is back to impersonating a martinet while Mrs. Jenson is dissolving into a ball of weepy nerves.  Mr. Jenson is patting her stiffly on the back, obviously uncomfortable with attempting to console her.

“Why don’t you guys go home?”  My mother says, shooting me a meaningful look.  When I don’t budge, she adds in Taiwanese, “They’re ready to snap.  You need to get Lyle out of here.”

“Let me just see Paris really quick first,” I say, slipping away.  The officer looks up from the magazine he’s leafing through and nods.  It’s a different officer this time, so I have to give my name again before he lets me inside.  I take my accustomed chair and gaze at Paris for a minute.  Open your damn eyes, I urge him silently, but there isn’t even a flicker.  I vaguely remember something about the chances of recovering being reduced drastically if the victim does not open his eyes in the first forty-eight hours following his trauma.  It’s been about that much time, which means we’re entering the danger zone.

“Don’t you dare leave me,” I whisper, unsure if I’m speaking loud enough for him to hear.  Even if I’m not, I have things I need to say.  “Paris, you’ve been my best friend forever.  I love you more than almost anyone on this earth.  I can’t thank you enough for having my back.”  I pause, not wanting to be melodramatic.  I am stroking his hand which has no feeling to it.  “I promise you, Paris.  I’m going to get the bastard who did this to you.  If it’s the last thing I do.”  I sit, not saying anything else.  My heart is speaking to his, and I’m sure he can hear that message better than any I might vocalize.  I allow myself to feel the pain of his pain.  I relinquish the death grip I’ve had on my control for the last few days.  It’s only in his presence that I feel safe enough to be vulnerable, knowing he won’t take advantage of it.

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Plaster of Paris; chapter seven, part three

Besides, I need to wait for Mr. Jenson, as he’s on my list of people to interview.  I doubt very much I’ll get anything substantive from him as he’s a cagey man, but I owe it to Paris to try.  I have a hard time believing that he drove or flew from San Diego to the Bay Area to kill Paris for reasons unknown, but odder things have been known to happen.  I wonder about the Jensons financial situation, then wonder why I wonder.  Even if they are strapped for cash, it’s not as if Paris has much in the bank.  The money that Ursula claims she’s going to settle on him hasn’t happened yet, Mr. Jenson don’t know about it, anyway, and it’s not enough to kill your stepson over, is it?  Thinking about money leads me to ponder whether Paris has a will or not.  My guess is no, but he can be surprisingly pragmatic about things such as that.  If he does have a will, I’m fairly share that much of his earthly possessions will be split between Lyle and me.  I wonder if Inspector Robinson has looked into that.  I’m sure she has.  She’s a thorough inspector who always gets her man.  Or woman.

I sit at the table a bit longer, though I no longer want to eat.  I can’t bear to go back yet, so I sit.  It’s nice to be surrounded by others with similar stories, but not to be immersed in their pain.  In a strange way, we are a support group without ever having to say a word.  This is one place where you can assume for the most part that most people are not here for happy purposes—except, perhaps, to give birth.  I wonder how many tears the cafeteria has witnessed?  More than its fair share, I’m willing to wager.  It’s the one place that has a lock on grief.  After ten minutes of resting, I rise, dump my trash, and return to the waiting room.  I look around me with displeasure; I am starting to seriously loathe this place.

Lyle, my mother and Mrs. Jenson are each slumped in a chair, my mother sitting between the other two.  Mrs. Jenson has her head buried in her hands while Lyle is staring at the wall opposite.  My mother is leaning against the wall behind her with her eyes closed.  I can’t tell if she’s just resting her eyes or if she’s actually napping.  I sit in the seat across from them so we don’t look like a line of prisoners waiting for execution.  I close my eyes as well, suddenly exhausted.  I want desperately to go home and sleep in my own bed, but it’d be too lonely and desolate without Paris in the other room.  In the last couple months since the conclusion of the first murder case, Paris hasn’t stayed over at Lyle’s place very often because he’s been watching over me.  I don’t know if I can stay in an empty apartment with Paris unconscious in the hospital.  I wonder if I could persuade my mother to come home with me.

“Catherine!  I got here as soon as I could!”  Mr. Jenson is racing towards us, his face red.  He is a short man, around five-feet eight inches, but he carries himself with the erect posture of a military man.  He has a short, bristly flat top of white hair with a neat moustache of the same shade.  He is wearing a dark brown suit with a narrow black tie, which is appropriate attire for attending a funeral.  I shake that thought from my head.

“Douglas!”  Mrs. Jenson jumps up and hurries to her husband.  He wraps her in his arms and murmurs something into her hair.  It’s obvious that he loves his wife and would do anything to take the pain away from her.  It warms up my attitude towards him, but only marginally.  Mrs. Jenson ushers him over to our little group and introduces him to my mother who has never met him.

“Pleasure, ma’am,” Mr. Jenson says gravely, shaking my mother’s hand.  “It’s most unfortunate it has to be under such duress.  How is Paris?”  He looks from one to another, studiously avoiding looking at Lyle.  Mrs. Jenson fills him in on the developments.  The five of us do a little shuffle so my mother, Mr. and Mrs. Jenson are sitting in a row with Lyle and I across from them.  My mother quickly falls back asleep.

“Would you like to see him?”  Mrs. Jenson ask softly, her eyes focusing on her husband’s.  He hesitates, and for a minute, I’m sure he’s going to say no.

“Of course, Catherine.”  He comes through like a trooper.  The two of them stand up, and Mrs. Jenson leads him by the hand.

“Did you see the way he hesitated?”  Lyle hisses as soon as the two are out of sight—and hopefully earshot.  “He doesn’t give a damn about Paris.”

“Lyle, please,” I say wearily.  I am too tired to hear another harangue about the evilness of the Jensons.  While I may not agree with their ideology, I have to respect that they are being true to what they believe.  Besides, obsessing about it isn’t going to do anything but give Lyle an ulcer.

“Oh, I know.  I’m sorry,” Lyle says contritely.  “It’s just that they remind me so much of my parents.  And about a zillion other parents of queer folk.  How did you get to be so lucky?”

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Plaster of Paris; chapter six, part one

I am incredulous with his reaction and demand to know why it doesn’t bother him.  He thinks it’s funny, and he thinks she’s jealous of anyone I’m sleeping with.  He’s still chuckling as he reveals that he thinks the good inspector has the hots for me.  That causes me to sputter indignantly for a few minutes while Lyle looks on in amusement.  The prim and proper inspector having a crush on me?  The thought of that is so bizarre, I can’t take it seriously.  I’m nothing more than an irritant to her, forced upon her because of unusual circumstances.  I’m a suspect in an attempted murder case and have been in two past cases.  I don’t even know she’s gay, for god’s sake.  The idea is ludicrous, I inform Lyle.  He brushes aside my objections, firm in his belief that Inspector Robinson wants to get into my pants.

While I’m musing over this hypothesis, he also drops that he’s slept with women before.  After imparting that startling information, he returns to my room, leaving me stunned, but not for long.  I hurry after him, pushing open my door.  I’m not ready to end the conversation quite yet.  I demand to know what he’s talking about as he seems the original poster boy for gay since birth.  I’m also having difficulty accepting that he’s a switch-hitter, too.  Isn’t anybody just gay any more?  Yes, I’m aware of the irony, but I can’t help feeling that way.  Lyle shrugs, his attention on the computer.  He offhandedly mentions that he was a late bloomer, that he and Paris had a good laugh over the idea of Lyle with a woman, then assumes the conversation is over.  It’s not to me, and I’m hurt that this is yet another thing Paris didn’t tell me.  It seems like there are a few things he’s kept from me.  Sure, I’ve been out of it the last few months, but still.  The last thing I want is Paris to cut me out of his life.

Lyle sees that I’m not going to let it drop, so he tells me his coming-out story.  He grew up very sheltered and couldn’t fathom being with a man.  Even after he knew the truth, he tried to convince himself that it was just a phase.  It took many attempts at a relationship with a woman before he finally acknowledged to himself what he should have known all along—he was gay.  He liked women as friends, but he couldn’t love them romantically and he certainly wasn’t sexually-attracted to them.  I ask when he last slept with a woman.  He gives me a dirty look, but answers.  Ten years ago when he was twenty-five.  That’s pretty late for discovering one’s gayness, especially for a man.  He assures me with a mischievous smile that he’s not attracted to me, and for a minute, I’m hurt.  Even though I know he’s not into women, I’m insulted that he could so freely admit that he’s not attracted to me.

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